Sleep guitarist and High on Fire founder, frontman, and engineer Matt Pike has something new on the horizon. On February 18, Pike will release his debut solo LP, Pike Vs. The Automaton, via MNRK Heavy.

Born out of the challenges brought on by a worldwide pandemic, birthed under hellish red-orange skies bred from rampaging west coast wildfires, and built amidst the yearlong political riots and rallies in Portland, Oregon, Pike’s solo debut, Pike Vs. The Automaton, is both a musical and emotional release. The record was written by Pike with drummer Jon Reid, features contributions from a slew of family and friends, and was recorded with longtime conspirator Billy Anderson, the producer who brought the best out of Pike previously on touchstone titles such as “Surrounded By Thieves” and “Sleep’s Holy Mountain”.

Pike comments:

“I was just going bonkers during the pandemic. It was like really, truly miserable. And then all the riots here in Portland and all the political shit. I was trapped in my garage, which was the only place I could go and jam and do anything. I was trapped in there ’cause I couldn’t go jam with High on Fire, I couldn’t do this, I couldn’t do that, no one could fly. I was going crazy. My friend Jon Reid, who was the original drummer for Lord Dying, had moved to Portland and was babysitting my dog, Crom, and he was drumming for my wife’s band, so he had his drums already set up at my place. I finally said, ‘Dude, do you want to come over and just start jamming?’ So, I just started this thing with my friend Jon. I was like, ‘Dude, fuck it. Let’s start a side band and we’ll just demo this and act like we’re starting it as teenagers, you know?”

Pike Vs. The Automaton is advanced by the bizarrely titled track “Alien Slut Mum.” A video for the song premiered via Decibel, which states:

“Matt Pike is a trailblazing visionary possessed by a mindset which, from the outside looking in, appears to be steeped in pure desperation. Perhaps this is why the SLEEP/HIGH ON FIRE shredder is still so creatively sharp in a moment when so many of his peers and devotees are stuck in “echo” phases while Pike continues to plant flags in new sonic and aesthetic territories.”

When asked for comment on the clip, Pike cryptically replied:

“Four friends enter the woods, for a getaway, little did they know they would never return! Dogmen, Sasquach, Reptilians, or alien slut mum?!?! Where have they gone??”

“Necessity is the mother of invention” is a well-known proverb that has proven itself true time and time again. When the need for something becomes imperative, you are forced to find ways of getting or achieving it. In this true story, the need for Pike was to create and play music with others at a time when that lifelong love was seemingly out of reach.

Guest musicians on Pike Vs. The Automaton include Alyssa Maucere-Pike (Lord Dying, Grigax),Chad “Chief” Hartgrave, Brent Hinds (Mastodon), Steve McPeeks (West End Motel), Josh Greene (El Cerdo), Todd Burdette (Tragedy), and High on Fire’s Jeff Matz, who lays down Turkish electric saz on the album’s towering closing track “Leaving The Wars Of Woe”.

 

Track List:

01) Abusive
02) Throat Cobra
03) Trapped In A Midcave
04) Epoxia
05) Land
06) Alien Slut Mum
07) Apollyon
08) Acid Test Zone
09) Latin American Geological Formation
10) Leaving The Wars Of Woe

Pike explained the album title:

“The album title, Pike Vs. The Automaton, wasn’t an ego thing for me. Billy and Jon said, ‘Dude, you should use your name in this. This is your solo project.’ I said, ‘I don’t want to do that.'””The Automaton, in Greek mythology, is the big robot that’s the guardian of the Gods, basically. It’s a soulless, big machine named Talos. The big machine that’s working against mankind at this moment. In ‘Jason And The Argonauts’, Jason and the Argonauts have to battle this big machine guy that protects the island. Basically, what the album title is saying, metaphorically, is ‘Pike against the world.'”

He continues:

“I made a psychedelic rock record that Sleep and High on Fire fans would like. And maybe if you’re not a Sleep or High On Fire fan, you might like it too. I definitely think it’s interesting; it has D-Beat punk, two-step. It’s got everything and it still works together, it doesn’t sound odd. It’s just an off-the-wall psychedelic rock record.”

 

 

EOM-LP-46560_Gatefold_X1A