After a six-year absence, Exit Eden makes a compelling return with their second offering, Femmes Fatales, out now through Napalm Records. The album’s thematic core, based on the term “femme fatale,” signifies women seizing control of their narratives, embodying autonomy, intelligence, and independence to rediscover the pure feminine energy in the world. Following their 2017 release, Rhapsodies in Black, Exit Eden, now performing as a trio comprising Clémentine Delauney, Anna Brunner, and Marina La Torraca, introduces their latest full-length, featuring a blend of six cover songs and six original compositions that vividly showcase their exceptional vocal range.
The departure of Amanda Somerville marks this evolution, featured on their debut, with the group now forging ahead as a trio. The original tracks on the album, excluding “Dying in my Dreams,” co-written by Marina La Torraca, come to life through the creative collaboration of Anna Brunner and Hannes Braun (Kissin’ Dynamite). In addition to contributing to the songwriting, Hannes Braun took on the crucial roles of recording, production, and mixing while Jacob Hansen Delain, Amaranthe, Volbeat, Destruction, etc.) handled the mastering.
Nightwish vibes
Reminiscent of Nightwish’s Imaginarium-era, the album starts with the bold and storytelling-styled “Femme Fatale.” The track seamlessly blends French and English vocals, adding a touch of classic 80s sounds.
Moving on to “It’s a Sin,” a Pet Shop Boys cover, introduces fun electronics, creating a rock opera-esque vibe with enjoyable 80s vibes. The third track, “Run!,” featuring Marko Hietala (ex-Nightwish), is a powerful and fun song with more remnants of Nightwish. It’s arguably a gateway track to attract listeners to discover Exit Eden.
Next up, “Separate Ways,” a Journey cover, brings familiar vibes from the start, likely showcasing the artists’ joy in recording it. The symphonic metal edge adds a unique flavor, making it intriguing for a live performance. “Buried in the Past,” an original tune, follows with haunting emotions and a memorable chorus.
“Désenchantée,” a Mylène Farmer cover in French, delivers a moving experience, while “Dying in my Dreams” presents a darker and fun track with a nice instrumental breakdown, focusing on emotional vocals. The Alice Cooper cover, “Poison,” makes a classic track their own with flawless vocal delivery, concluding on a powerful note.
“Alone,” a Heart cover, adds a metal edge to a familiar song while offering an emotional take. “Hold Back Your Fear,” a symphonic metal-styled track with 80s twists, stands on its own, showcasing creative energy. “Kayleigh,” a Marillion cover, lifts from a slow piece to a heavier track with powerful vocals.
Exceptionally talented vocalists
Closing with “Elysium,” the album reaches a ballad-esque conclusion. Femmes Fatales is a fun record, blending decent covers with decent originals. The track order alternates between original and cover, creating familiarity and boosting recognition. With diverse styles within symphonic metal and classic 80s sounds, Exit Eden executes feminine energy through three exceptionally talented vocalists, inviting listeners to let loose and enjoy the musical delivery.
Rating: 4/5
