Saxon are back with their overall twenty-fourth full-length album, Hell, Fire, And Damnation. Released on January 19, 2024 via Silver Lining Music, these NWOBHM giants continue to showcase their signature sound while finding ways for fresh innovations. From Biff Byford’s dynamic vocals to exceptional axe handling by Doug Scarratt and Brian Tatler, the band brings fresh and fiery energy throughout the record. The rhythmic backbone of Nigel Glockler and Nibbs Carter on drums and bass adds a robust foundation to the album’s overall sound. Lyrically, the record creates a sonic journey through historical and mysterious themes, from Marie Antoinette to Aliens and the Salem witch trials.
Kicking off with the fun and mysterious “The Prophecy” sets the tone for what’s to come. “Hell, Fire And Damnation” takes a heavier turn, seamlessly transitioning between intense moments and melodic guitar solos, showcasing the band’s signature style. “Madame Guillotine” introduces a bluesy touch with a slow build-up, reminiscent of ’90s grunge-Metallica Load-era vibes. The track maintains a slower, chill pace with a captivating guitar solo and a solid musical breakdown, showcasing the band’s versatility.
“Fire And Steel” picks up the pace, delivering a heavy and enjoyable tune where vocals take charge, complemented by guitar breakdowns and melodic solos, making it the heaviest song on the album. The rhythm section contributes significantly to the overall production.
“There’s Something In Roswell” introduces a sinister atmosphere, delving into the story of the 1947 Roswell crash. The track features an anthemic 80s-style riff and showcases Saxon’s ability to craft melodic breakdowns, adding a unique touch to each song. “Kubla Khan And The Merchant Of Venice” continues the anthemic journey, intertwining heavy metal with historical narratives and powerful guitar solos.
“Pirates Of The Airwaves” explores nostalgia with a bluesy-heavy instrumentation, reflecting on nostalgic simplicities such as listening to the radio. The inclusion of a Scorpions-esque guitar solo adds a dynamic element. “1066” unfolds a religious myth, gradually building up to a catchy, heavier vibe. The chorus invites the audience to sing along, creating an engaging atmosphere reminiscent of Sabaton.
“Witches Of Salem” takes a darker and sinister turn, capturing the essence of the witch-hunting days. The catchy chorus stands out, making it one of the record’s highlights. “Super Charger” is a heavy conclusion, showcasing Saxon’s impeccable skillset over their fifty-year career. The overall production quality of the album enhances Saxon’s classic sound, bringing a modern touch to their timeless style. The album solidifies Saxon’s position as one of the top bands in the NWOBHM series, consistently rising to the top despite facing underrated obstacles. Saxon delivers a versatile blend, paying tribute to heavy metal’s roots while exploring new doors, leaving room for veteran fans and welcoming a new generation to their music.
Rating: 4/5
